{"id":1327,"date":"2012-09-18T10:12:51","date_gmt":"2012-09-18T17:12:51","guid":{"rendered":"http:\/\/www.malcs.org\/archive-2017\/?p=1327"},"modified":"2012-09-18T10:12:51","modified_gmt":"2012-09-18T17:12:51","slug":"the-baseline-is-you-suck-junot-diaz-on-men-who-write-about-women","status":"publish","type":"post","link":"https:\/\/malcs.org\/archive-2017\/2012\/09\/18\/the-baseline-is-you-suck-junot-diaz-on-men-who-write-about-women\/","title":{"rendered":"&#8216;The Baseline Is, You Suck&#8217;: Junot Diaz on Men Who Write About Women"},"content":{"rendered":"<p>From Gabriella Gutierrez y Muhs, an <a title=\"Link to full article\" href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2012\/09\/the-baseline-is-you-suck-junot-diaz-on-men-who-write-about-women\/262163\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">interview with Junot Diaz<\/a>\u00c2\u00a0 from <a title=\"Link to full article\" href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2012\/09\/the-baseline-is-you-suck-junot-diaz-on-men-who-write-about-women\/262163\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><em>Atlantic Magazine<\/em><\/a>:<\/p>\n<blockquote><p><a href=\"https:\/\/i0.wp.com\/www.malcs.org\/archive-2017\/wp-content\/uploads\/sites\/2\/2012\/09\/JunotDiazTHYL.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1328 alignright\" style=\"margin: 12px 8px;\" title=\"JunotDiazTHYL\" src=\"https:\/\/i0.wp.com\/www.malcs.org\/archive-2017\/wp-content\/uploads\/sites\/2\/2012\/09\/JunotDiazTHYL-200x300.jpg?resize=200%2C300&#038;ssl=1\" alt=\"\" width=\"200\" height=\"300\" \/><\/a>The stories in Junot Diaz&#8217;s new collection, <em>This Is How You Lose Her<\/em>, tread some familiar territory. Unfolding in Bergen County barrios and on Santo Domingo beaches, they feature fast-talking Dominicans (from there, from here) struggling against the pinions of racial prejudice, poverty, and immigrant status. But the specific focus on romantic relationships is new for Diaz. Each story depicts the complex negotiations between men and women held in thrall by the thrill or ravages of love, the lure and pathos of betrayal.<\/p>\n<p>Eight of the nine stories here are narrated by Yunior de Las Casas, the poet and career philanderer whose acerbic silver tongue spoke Diaz&#8217;s first two books. But <em>This Is How You Lose Her<\/em> is a long way from the cocksure swagger of <em>The Brief Wondrous Life of Oscar Wao<\/em> (2006). Yunior&#8217;s older now, more contrite and desperate and vulnerable, and his cheating&#8217;s catching up with him. &#8220;I&#8217;m not a bad guy,&#8221; he tells us in the first sentence of the book. Like the excuses and alibis he slips his jilted lovers, it&#8217;s a lie he badly needs us to believe.<\/p>\n<p>The guiding irony of <em>This Is How You Lose Her<\/em> is that Yunior never does lose his women\u00e2\u20ac\u201dnot fully. Even after the cheating, the screaming and hair-pulling, the train-wreck breakups, Yunior&#8217;s exes haunt him in visceral ways: &#8220;The half-life of love is forever,&#8221; he confesses in the book&#8217;s final epic &#8220;The Cheater&#8217;s Guide to Love.&#8221; There&#8217;s a paradox here\u00e2\u20ac\u201dloss can have a permanence love rarely attains. In this light, each story is a shrine to the women who, because of his own limitations, Yunior loves most earnestly, and most loyally, in hindsight.<\/p>\n<p>Two questions underlie the propulsive energy of this book: Why does Yunior scuttle his relationships as soon as they hit full sail? And who are these women really? They&#8217;re never fully visible in the narrator&#8217;s machismo, anatomical confessions. I discussed these and other questions with the author, who spoke to me by phone from Harlem.<\/p>\n<p><strong>How long have you been working on these stories? What&#8217;s the oldest? The newest?<\/strong><\/p>\n<p>When I was working on <em>Drown<\/em>\u00e2\u20ac\u201dthis was way back in the mid-&#8217;90s\u00e2\u20ac\u201dI had this idea that I wanted to do another collected stories. I wanted to do another book like <em>Drown<\/em> that focused specifically on infidelity. Male infidelity was something that kept coming up in <em>Drown<\/em>, and I wanted to follow my main protagonist Yunior in his progress through cheating. It grew into the idea for this book.<\/p>\n<p>That was in the mid-&#8217;90s, and then it took absolutely forever to get the damn thing done.<\/p>\n<p><strong>So <em>Drown <\/em>and <em>This Is How You Lose Her<\/em> are, in a sense, sister projects.<br \/>\n<\/strong><br \/>\nYeah. They definitely had their geneses at the same moment.<\/p><\/blockquote>\n<p><a title=\"Link to article at the Atlantic\" href=\"https:\/\/www.theatlantic.com\/entertainment\/archive\/2012\/09\/the-baseline-is-you-suck-junot-diaz-on-men-who-write-about-women\/262163\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Full interview at the Atlantic<\/a><\/p>\n<p><em>Also <a title=\"Moya interview\" href=\"https:\/\/www.bostonreview.net\/BR37.4\/junot_diaz_paula_moya_drown_race.php\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">don&#8217;t miss his two-part interview<\/a> with Chicana literature scholar Paula Moya <a title=\"Moya interview\" href=\"https:\/\/www.bostonreview.net\/BR37.4\/junot_diaz_paula_moya_drown_race.php\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">at the Boston Review<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Gabriella Gutierrez y Muhs, an interview with Junot Diaz\u00c2\u00a0 from Atlantic Magazine: The stories in Junot Diaz&#8217;s new collection, This Is How You Lose Her, tread some familiar territory. Unfolding in Bergen County barrios and on Santo Domingo beaches, they feature fast-talking Dominicans (from there, from here) struggling against the pinions of racial prejudice, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1327","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-general-news","7":"entry","8":"override"},"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":1300,"url":"https:\/\/malcs.org\/archive-2017\/2012\/09\/13\/u-iowa-latinos-in-the-midwest-oct-11-13-2012\/","url_meta":{"origin":1327,"position":0},"title":"U Iowa: &#8220;Latinos in the Midwest,&#8221; Oct 11-13, 2012","author":"la Webjefa","date":"September 13, 2012","format":false,"excerpt":"\"The Latino Midwest\" Conference at the University of Iowa will examine the history, education, literature, art, and politics of Latinos in the Midwest in light of the demographic changes experienced by states in this region with growing Latino populations. A central concern of this Symposium is the role of international\u2026","rel":"","context":"In &quot;General News&quot;","block_context":{"text":"General News","link":"https:\/\/malcs.org\/archive-2017\/category\/general-news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":936,"url":"https:\/\/malcs.org\/archive-2017\/2012\/03\/04\/freedom-university-needs-your-help\/","url_meta":{"origin":1327,"position":1},"title":"Freedom University Needs Your Help","author":"Theresa Delgadillo","date":"March 4, 2012","format":false,"excerpt":"Welcome to Our New Students! Friends of Freedom University and allies of undocumented youth, Thanks to your continued generosity and support, we\u00e2\u20ac\u2122ve welcomed visiting scholars to Athens, Skyped in Pulitzer Prize winner Junot D\u00c3\u00adaz and author Achy Obejas, provided books\u00c2\u00a0for over 35 deserving and hard working students, and, most importantly,\u2026","rel":"","context":"In &quot;General News&quot;","block_context":{"text":"General News","link":"https:\/\/malcs.org\/archive-2017\/category\/general-news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/gallery.mailchimp.com\/3b1e0f0c9693eb67668c49bbb\/images\/FU_LOGO.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1113,"url":"https:\/\/malcs.org\/archive-2017\/2012\/06\/25\/mujerista-theologian-ada-maria-isasi-diaz-dies-at-age-69\/","url_meta":{"origin":1327,"position":2},"title":"Mujerista theologian Ada Maria Isasi-Diaz dies at age 69","author":"la Webjefa","date":"June 25, 2012","format":false,"excerpt":"Not sure how I missed this, but radical Latina feminist theologian Ada Maria Isasi-Diaz passed early last month from cancer at the age of 69. Ada Maria developed a cogent critique of the Catholic Church in the mid-80s, identifying the concept of \"structural sin\" for those enjoying the privileges of\u2026","rel":"","context":"In &quot;General News&quot;","block_context":{"text":"General News","link":"https:\/\/malcs.org\/archive-2017\/category\/general-news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":932,"url":"https:\/\/malcs.org\/archive-2017\/2012\/02\/22\/malcs-listjefa-reviews-girl-in-a-coma-at-ms-mag\/","url_meta":{"origin":1327,"position":3},"title":"MALCS listjefa reviews &#8220;Girl in a Coma&#8221; at Ms. Mag","author":"la Webjefa","date":"February 22, 2012","format":false,"excerpt":"MALCS Listjefa Nicole Guidotti-Hernandez recently webpublished this review essay at Ms.Magazine: The impact of homegrown, San Antonio-based, all-woman band Girl in a Coma stretches far beyond the borders of Texas. Its fourth album Exits and All the Rest, recently named to NPR\u00e2\u20ac\u2122s 50 best of 2011, shows the band\u00e2\u20ac\u2122s range\u2026","rel":"","context":"In &quot;Members in the news&quot;","block_context":{"text":"Members in the news","link":"https:\/\/malcs.org\/archive-2017\/category\/members-in-the-news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":170,"url":"https:\/\/malcs.org\/archive-2017\/2008\/06\/20\/student-seeks-esl-expertise\/","url_meta":{"origin":1327,"position":4},"title":"Student seeks ESL expertise","author":"la Webjefa","date":"June 20, 2008","format":false,"excerpt":"To Whom It May Concern: My name is Amy Diaz and I am Harvard student working for fluenz.org, an early stage non-profit organization looking to create a survival English program for low-income Spanish speaking immigrants and refugees in the US. Right now, we are in the research phase of our\u2026","rel":"","context":"In &quot;Announcements&quot;","block_context":{"text":"Announcements","link":"https:\/\/malcs.org\/archive-2017\/category\/announcements\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1029,"url":"https:\/\/malcs.org\/archive-2017\/2012\/07\/14\/summer-institute-registration-now-open\/","url_meta":{"origin":1327,"position":5},"title":"See you at the 2012 Summer Institute!","author":"la Webjefa","date":"July 14, 2012","format":false,"excerpt":"The conference is at UCSB \u00c2\u00a0July 18-21, 2012 and this year\u00e2\u20ac\u2122s theme is \u00e2\u20ac\u0153Todos somos Arizona: Confronting the Attack on Difference.\u00e2\u20ac\u009d \u00c2\u00a0Yes, you can register and pay your membership fees onsite. \u00c2\u00a0See full details at the 2012 Summer Institute website\u00c2\u00a0(updated regularly). \u00c2\u00a0 Update 6\/18: \u00c2\u00a0Deadline extended for Creative Writing Workshop\u2026","rel":"","context":"In &quot;General News&quot;","block_context":{"text":"General News","link":"https:\/\/malcs.org\/archive-2017\/category\/general-news\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/posts\/1327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/comments?post=1327"}],"version-history":[{"count":0,"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/posts\/1327\/revisions"}],"wp:attachment":[{"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/media?parent=1327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/categories?post=1327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/malcs.org\/archive-2017\/wp-json\/wp\/v2\/tags?post=1327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}